980 Royalty-Free Audio Tracks for "Fifteenth Chords"

Major triad on F in second inversion

D chord in drop D tuning.

Cesar Franck Violin Sonata in A major, opeing bars

Harmonized C major scale.

Dominant and dominant parallel in C minor: Gm and BM chords.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Mystic chord Acorde místico

Audio files of spanish guitar chords

Audio files of spanish guitar chords

12-1 (chromatic) dodecachord on C

Major triad on F in first inversion

Major triad on C in second inversion.

3-9A trichord on C. Sus2 chord.

Dominant and dominant parallel in C major: GM and Em chords.

DSp in C major.

Iidim6 chord in C.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.